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Finished June 29, 2008
From the holes in the ceiling small suns shone through
I reached up with one hand and there grew a peach tree rooted in carpet
Beside me another sprouted in a gentler, much deeper wood
We blocked the shine with our fingers, little eclipses
A sprung umbrage that fluttered against those equidistant stars
Fluorescence melted us into complacency, a legacy
Existence pure organic artificial
And we coalesced into one milky, silvery pool
An ocean into ourselves, a drying flooded stairwell
A breathing sage on a cellophane stage
With no where left to grow but upward
As this miniature Mediterranean seeped into the ground
I thought of the terrazzo plane, that iffy grain
Under our rosaceous, watery faces, leaves as headpieces
Self-assembling mosaics laying cool to the cheek
Contour of warmth ever keeping the fabric impress
A jigsaw gesture, we cook and break,
Boil and harden into a puzzlement lake
We are a fluid mixture, though dissembled and cracked
Sovereign FruitIt sounds a little foolish but sometimes I see love as a multi-sided, geometric figure made from blown glass. Covered in different textures and colors that overlap one another, love seems like a looking glass that does not willingly mirror. Because the light of day does hand off and transfer into darkness, shining in every angle, we are able to see through this figure and perceive a certain beauty that varies, exceeding its physical form. A kaleidoscope of multifaceted abstraction, love matches with everything, applicable to all objects and mannerisms alike. However, its the integrity one pairs with love that makes it true. To believe in the truth of love is to deny that over time fruit will rot. Our minds cannot wrap around this idea without difficulty, but its fresh taste is willingly welcomed.
PalpitateI was here since dawn and dusk held hands, listening
I witnessed their muddy embrace of pinks and grey
They gave into each other in gyrating swirls, dusty whorls
Cradling hands, caked in a matutinal glow and dappled with ink-drop gulls
Traces of the forbearing night were fed spoonfuls of silver splatter
And fingers ran through some honeyed, tenuous strands of sun
At the sight, the sound, my mind welled over blades of grass in a more awkward rendition;
I pulled closer
imagining the sky without a center and lying parallel to clouds
Moving hands without choice to dangle a frameless yellow yoke,
A cynosural pulse, where the determined never cease and the poor were just as rich
Changing days palpitate inside us
He held me as I listened
Words love to garnish, they serve no meat
And those days are what we make them
The Top of the WorldThe Top of the World
Last edited December 14, 2007
A mere visit to the top of the world served us sights in generous proportions.
Namely, were the cottoned lilies, with tatting frills and skies of open arms,
the glassy water and walking trees some strolled in great alarm.
These sights were so vividly imagined that we wayfarers pondered them upon return.
When we climbed to the heights, our faces met with the freshness of palm fronds.
We witnessed their ticklish fingers brush against some oddly placed pastures.
Pastures that were set atop mountains and powdered with song,
those songs that smolder in white-white puffs, twice at a time
All this was thought whilst breathing clearly.
Assuredly, we did not measure with disposability
For then unequal measure in value due.
But how veneration did respire from this alabaster mold
That was so lavishly dipped in starry form.
We met the top of the world with arms outstretched
To sense whatever bliss that filled ou
Currency :revisited:Nukes, bombs, airplanes going down
Theyre things at home the television talks about.
But this big bird isn't going down.
Its greeting ground with engines, meeting road with landing.
The van chucks forward. It coughs and spits and somersaults forward.
Onward, ahead. My father mutters, his lips flap in quivers and I cant hear.
My thoughts they talk too much, and chew his tongue.
I imagine words for movement but his mouth moves in squares.
We ease our heap onto another lane and my airplane disappears behind some trees.
With all its passengers, all its fright, the terror of flight
and blue sky, blue sky. Red light.
Theres a man on our windshield. His eyes on our windshield.
To my left, on the drivers side. Toes glued together, knees bending inward.
Hes sweating a little. Cripple.
An orange juice box. Who needs an orange juice box around their neck?
He does. Well, he does.
To carry his change, his bills its empty. Dingy shoelaces h
CurrencyNukes, bombs, airplanes going down.
Things at home the television talks about.
But this plane isn't going down.
It's greeting ground with engines.
Meeting road with landing.
This van chucks forward. it coughs and spits and rolls forward.
Onward. Onward, my father mutters. Though I cant hear.
My thoughts talk too much, and chew his tongue.
Imagine words for movement. His mouth moves in squares.
We ease into the lane. And my airplane disappears behind some trees.
With all its passengers, all its fright. The terror of flight.
And blue sky, blue sky. Red light.
There's a man on our windshield. His eyes on our windshield.
To my left, to my left. Toes glued together, knees bending inward. He's sweating a little. Cripple.
An orange juice box. Who needs an orange juice box? Around their neck?
He does. He does.
To carry his coins. His bills, it's empty. Shoelaces help him hold it up.
He's still looking at us.
Stop looking at us. At wealth. At hope.
Another meal, just oh, about four steps forwar
IdentityBend hearts in rhythmic motion, at the swagger of drunken pots.
I am the artist's tendon, guiding brush and thought.
We eat words myself and I, it builds our appetite.
And though we walk but with two feet, our hands refuse to fight.
I'm made of stripes, a nose of wax but zebra far I be.
A girlish crown and piano sound is much more close to me.
Beginlove is love
remember thy pledge
if love be love
so willingly said
then so be wealth, so be health
for love lived creation dead
Stalin Was No Savior
Stalin Was No Savior
insecure fascists tighten their seatbelts
once they know the war is over
tightly now, don't worry dear
circulation isn't necessary
here we go, once again
the same scene reappearing
you kiss him. now there's an akward circle.
of you and him, the worst sight, match made in lust
the world was made for you
he is your bride, yes its true
well aren't we an accepting nation?
the ones who speak for adoration
of screening and censorship; the lack of all, of right and which?
we have our hearts tucked in our jeans
my dear no fear! the pleasure is more tantilizing
more skin more sin! circulation isn't necessary
is it hurting now? you're a size too small.
insecure fascists tighten their seatbelts
once they know the war is over
euphoria bestown upon me, the unworthy, the fabulous atrocity
that once was me, this once was me
now, there's still a trace, it's nothing i can change
but lets prevent--
there are no saints in a place a called ea
Inspired ProseWe all have things to say, most of us have something we really believe, or multiple things we could talk about for hours at a time; things that manifest themselves when you’re in the moment, when you’re not distracted with redundant information masquerading as truth and news. When you have a moment with yourself, and your life, and life as we know it is shifted into focus, put into perspective, you must realise how transient it all is. This increasingly dominant westernised way of thinking, and acting is not only promoting ignorance, and stupidity, but solidifying our stunted growth as humans and as our true selves –– whether that be a soul, a spirit or an energy.
To some this may be exhausting to think about, and to read about –– to me it’s exhausting to be surrounded by those that don’t think this on a regular basis, as they’ve already been poisoned by something; by the media, by experience, by the government, by societ
Lost in the Spiritual WorldMy Darkness:
I have been meditating since I was 12 years of age. It was not only to escape the world around me but it helped me a lot in doing so. A world full of bullying beings addicted to matter of all kind. At that time I lost sense nearly completely. I really was cut up from the world at my young age, seeking shelter in astral travel. Just to differentiate from them, not to put myself with them on one level, to detach myself from material the best I could. And I felt that I did not need it. There was no contact to other people and I neglected my body completely.
I came to know that it was a wrong way and I changed to another extreme that looked like helping others at any risk, running against walls, bashing my head, giving all but receiving mostly nothing, self-sacrifice as I was not able to help myself.
The last change took place in 1995 and I feel that this is now the right way for me.
During my astral experiences over three decades I have met a lot of entities out there, on the
Redemptive SufferingThe fear of suffering, pain, and death seem like unconquerable mysteries. My time here at CPE [clinical pastoral education] has helped me to understand, via experience, that they are not necessarily things that need to be conquered. No amount of faith excludes us from experience pain, loneliness, and death. Money, power, and other earthly things makes these three experiences even worse. With this in mind, I began to wonder if the words of Qoheleth were not as negative as they appear: “Vanity of vanities! All is vanity” (Ecc 1:2). Earthly things will pass which also means these things, both good and bad, will pass. Yet this does not ease the blow of the mystery of suffering and death. Even if they pass away they still remain with us our whole lives.
For me, this mystery is one that is only solved by the Cross. The cross is, for me, the foundation of my theology the ministry I do. The cross is the Incarnational moment where love and suffering meet. Love because
Infinity Complex.Infinity Complex.
This is something that has been on my mind for a little bit. I would like to share this complex with everyone, and find out if anyone else has thought of this.
The infinity complex is just that. A complex cycle of infinity.
Let's say I am traveling space, and 'ascending'. I reach far into space and reach a sign. (Theoretically) The sign says "YOU SHALL NOT PASS". The complex begins.
Why is the sign there? Who made the sign? If not whom, what made the sign? What made what made the sign? Why can I not pass the sign? Is there something stopping me from passing the sign? If so, is this the end of the universe? Is this something beyond the sign? Why would it be there in the first place? Is there something it doesn't wish me or anything to see? What created what that made this barrier? Is there something beyond what created what? Why can I read the sign? Why is it in my language? Is it in different languages depending on the thing that perceives it? If so, why? If
THE PROMISED BAPTISM WITH HOLY GHOST"And when the day of Pentecost was fully come, they were all with one accord in one place. And suddenly there came a sound from heaven as of a rushing mighty wind, and it filled all the house where they were sitting. And there appeared unto them cloven tongues like as of fire, and it sat upon each of them. And they were all filled with the Holy Ghost, and began to speak with other tongues, as the Spirit gave them utterance. And there were dwelling at Jerusalem Jews, devout men, out of every nation under heaven. Now when this was noised abroad, the multitude came together, and were confounded, because that every man heard them speak in his own language. And they were all amazed and marvelled, saying one to another, Behold, are not all these which speak Galilaeans? And how hear we every man in our own tongue, wherein we were born? Parthians, and Medes, and Elamites, and the dwellers in M
Deep downDeep down inside ourselves
we can find the infinities
of the universe revealing themselves
in the light of darkness.
in the ocean of the dark unknown
we can find the high sky of enlightenment...
28/07/2014 Dywiann Xyara
Deep down we can find the high skyPoetry can be such a powerful expression
that it is capable to give extreme deep impressions
which can lead to the infinities of the sky
or deep down to the abyss' of the unknown oceans.
Is the deep down
actually the sky high above us?
And is the sky high above us
actually the ocean deep down?
What is, if I told you
that contraries become the same
the closer you reach their extremes?
What's hidden in all the deep seas?
What's far beyond our Solar System?
They all share one thing:
...the darkness of the unknown...
Why are we afraid of such infinities?
Why can't we grasp such dimensions?
Why are we even afraid of the unknown?
if our reality is only bound by our own imagination
and the fear of the holy unknown.
Yet the dark is so inspiring and touching.
Deep down inside ourselves
we can find the infinities of the universe
and experience it in all it's power and majesty.
Deep down we can find the high sky
27/07/2014 Dywiann Xyara
Rules of the Bronydom1. Do not talk about EG.
2. Do NOT talk about EG.
3. We are Bronies
4. Bronies are fandom
5. Bronies love and tolerate
6. Fandom can be a stupid, childish, whining monster
7. Fandom is still able to stick together
8. There are no real rules about censoring
9. There are no real rules about copyright infringement either – enjoy your C&D
10. If you enjoy any other TV show – DON'T
11. All your arguments about the show not being 'just for little girls' can easily be ignored
12. Any original work you produce can and will be stolen from you
13. Any original work you produce can be turned into something else – clop
14. Do not argue with haters – love and tolerate
15. The more you try to be show-accurate the more you'll be blamed for OOC
16. If you get OOC in epic proportions, you may just create a subfandom
17. Every fanon gets canon eventually
18. Everything that can be shipped can be hated
19. The more you hate, the more shipped it gets
20. No storywriter's tweet is t
On DreamsDreams are powerful. Dreams often act as inter-dimensional gateways of human experience. Last night I had a dream I can now merely hold up its torn, detached, unmatched pieces to the light and, in some attempt of seeing my dream more clearly, go blind. There were people perched in trees, swaying to music; some had hair in all different colors, their bodies resembling the Egyptian Ka. They blew rings of smoke into the air and some turned their human eyes with a birdlike quickness to watch me. Only I was not me. I was someone else and everyone else; weve had those experiences havent we? Zooming in and out of faces, feeling what they feel, doing what they do. Sometimes all those faces in dreams become you, and all those actions, that somehow dwindle for hour upon hour until that alarm clock rings, are you. It seems as if an uncoordinated essence is pondered on, then shaken up with all the fears and loves imaginable, each different and the same to the sleeping circle. But there
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